Social Media

We hear about them more and more every day: Facebook, Twitter, MySpace, and LinkedIn. These Social Media sites are the new meeting places for people to catch up on the latest gossip, find out what family is doing, and just plain rant about anything and everything. While many are bemoaning the rise of Social Media as detrimental to society as a whole, it doesn’t appear to be going away anytime soon. You either jump on the Tech. Train, or you get left out of the loop.


A great starting place for getting your feet wet in social media can be found here:

CLICK HERE

This is a smaller section of a larger article, but you’ll find great 1st contact advice on starting your profile, joining groups, and adding friends.

Who would have thought 2 decades ago that making friends was going to involve pressing a button on a keyboard?

Do you have any stories to share about your own foray into the world of Social Media? Leave your story in the comments, and share your experiences!

FOOD IN VEGAS

Vegas is really a Foodie destination these days. So many choices and so many big name chefs are represented in Vegas. While there with the NTO’s, we had a chance to sample some really wonderful cuisine.

Tao

This bistro has an Asian fusion menu that has the restaurant and nightclub in the same venue located at the Grand Canal Shoppes at the Venetian hotel. Cuisines from Hong Kong Chinese, Japanese, and Thai make up the menu selections. We had hot edamame which are steamed soy beans in their casings sprinkled with sea salt. Service was fantastic and attention to the patrons was prompt. Some had sushi and sashimi. I chose the wok-seared New York Sirloin with Shitake Mushrooms and Szechwan Potatoes. The portions were huge, so I could only make it half way through the dinner. But everyone was pleased with the selections.

Lavo

Located in the Palazzo Hotel and Casino, this Italian Restaurant/Nightclub/Lounge was hopping when we visited on September 3rd. The music was quite loud, so be prepared to shout at each other, or just rock out in your seat. While waiting to order, one of the ladies looked up and said, “Hey, that’s LMFAO!”, and they walked right around our table to the VIP section. What are the odds that in Vegas we would run into another Cherrytree Records artist while there celebrating our boys from Tokio Hotel?

We all agreed to get some appetizers. OMG! The Crispy Fried Calamari was tender and crisp all at the same time. And the Prosciutto service was delicious. Some of our group did not like the grapefruit that was served with it, but I found it refreshing after the salty food.

I also chose to try a bowl of the Lobster Fra Diavolo Bisque. They served me the bowl with the cream/butter/lobster in the middle, and they poured the bisque over this. It was fabulously decadent!

After appetizers and soup, I found it impossible to get through all of my entrée. But the Center Cut Filet was perfect, as well as the roasted asparagus I ordered to accompany my entrée.

SushiSamba

Our last night in Vegas was a tough call. We finally agreed on SushiSamba, a fusion of Japanese, Brazillian, and Peruvian flavors. This fine dining experience was the perfect end to our journey. We began with drinks at the bar while we awaited our table. I am now completely enamored with Cucumber Martinis. This one had a hind of spice to it. Complete bliss!  Michelle had something fruity and yummy, and wow!  It looked so pretty!

At our table, we decided to go family style and share several dishes. We had Japanese Vegetable Tempura, Lamb Robata (grilled meat), and the Chef’s Inspiration Sushi/Sashimi plate. The lamb was so spectacular and just cooked to perfection with an amazing sauce/glaze. The sushi and sashimi was first rate and melted in your mouth! I think it amazing that we were able to order the Rosca, a doughnut served with a hazelnut/chocolate dipping sauce. Yes, we rolled ourselves out when we were done!

The Vegas experience is not complete without trying at least one of the culinary masterpieces available. Be adventurous, and you will be pleasantly surprised!

Why Go To Vegas?

While having a quiet moment in Vegas, I wondered - What draws people to Vegas?

Get Married! 
We saw a few couples tie the knot and a couple others have their bridal showers. Vegas has a range of settings for discerning tastes from the highly romantic, classical backdrop to a showy, glitzy affair.  But what does it matter when the bride and groom are exchanging their vows and tying the knot the way they want.

Gamble!
Vegas has tons of ways to play the games of chance. Each hotel has a busy casino area designed to invite and hold you hostage for a few hours. Slots, Black Jack, Roulette and on and on with music blaring overhead to add to the sensory overload.

Shows!
You can't come to Vegas and not take in a show or two.  There are many shows that have hit the Broadway scene and now have its Vegas-dedicated troupe.  Cirque du Soleil has a variety of shows at various hotels for all tastes and moods. Think I'm kidding - Mystere at Treasure Island; O at Bellagio; Zumanity at New York, New York; Ka at MGM Grand; The Beatles Love at the Mirage; Criss Angel Believe at Luxor; Viva Elvis at Aria Resort & Casino.  Then you have the sexy night shows that Vegas is known for...wowza!

Nightclubs!
The Vegas night scene has a standard dress code--women wear itty bitty black dresses. Shoes with heels that can take an eye out. Make-up; boobage; and anything else you want seen put on display. Men--pretty much whatever you want. Music pumps at levels that can resusitate the heart or pop out an ear drum. Security and bouncers all seem to have eaten too many of their Wheaties. You do not want to mess with these broad shouldered, muscled black-suited men.

Shopping/Eating!
I say these are about equal on the list.  There are respectable outlet malls with high-end stores to the usual suspects. The hotels also all have designer boutiques that may require a month's mortage or two to purchase one item. As for eating, many of the well known chefs have restaurants bearing their name.  Their photos are prominently displayed like rockstars of their culinary world. Once you taste the fare, you can understand why all the fuss.

Vegas has diversity. I love it because there is something for everyone.  I also think that it bears mention that Vegas employees are so nice, helpful, and accommodating. Thank you for a wonderful time.

Happy 21st Birthday, Tom and Bill Kaulitz

Happy Birthday, Tom and Bill Kaulitz!

There are certain milestone birthdays that inspire major celebration. Turning 21 years old is up there on the list for major fanfare.  And why not? For most places, in the U.S., 21 years old is the legal age to be considered an adult.  The twins of Tokio Hotel have entered the new phase of life - welcome to adulthood, guys.

In tribute to this day, we have an interview from Martin Kierszenbaum, who is a key component in the Tokio Hotel phenonmenon around the world.  Martin is the is head of A&R at Interscope Records and president of Interscope’s subsidiary Cherrytree Records. He was gracious with his time to answer a few of our burning questions.

NTO: I (Michelle) have a daughter who wants to be a film director. Advice given to her is not to major in film directing, instead take a curriculum that is broad and well-rounded. So applying this advice to the music industry, what would you tell a college bound teen who wants to be on the management side of the music industry?


Tricia, Eileen-her daughter, Martin

MARTIN: I believe you need both to pursue a career in your field of choice: a general, well-rounded education to develop things like writing skills, organizational abilities, finishing an assignment, working in teams, navigating an administrative system, mastering general math and gaining a basic understanding of arts and sciences. In addition, you need to study and develop your knowledge of your particular field so you can function effectively and achieve within its discipline. The latter can usually be done on-the-field while the former acts as a base. However, I’ve found that it’s best to try and develop a measure of both simultaneously by getting on-the-field experience (through a job, internship and/or independent research, for instance) while pursuing your studies at the same time, if possible.

NTO: How would you describe the landscape of the music or music recording industry? Are you a "glass is half full", "glass is half empty", or "stop your whining" type of person?

MARTIN: Ever since I entered the recording industry, I’ve been hearing “well, kid, you missed the heyday of the music business.” And yet, I’ve managed to make a career in it and work in what I love. I’m grateful I’ve been able to work with artists, producers and executives who have had long careers and they’ve taught me that if you work hard and do good work, there will be a demand for it. My father instilled this in me by example from an early age too. I believe music is beautiful. It inspires and nourishes the human soul. There will always be a place for music. The means of making and distributing it may evolve but music is an essential. I love music and I’m committed to protecting it and the artists that make it. I’m also excited by the ability to communicate directly with the audience and learn more about how they want to absorb music.

Swedish pop star - Robyn

NTO: CT is the only record company that we've registered with and follow online. The online presence has helped create the brand loyalty and introduced us to other singers like Robyn, Lady Gaga, and La Roux. Who is the worker bee behind the online strategy? (By the way, love the acoustic sessions on the website!)

MARTIN: Thank you. It’s an honor to hear this from you. Cherrytree functions under a philosophy that information should flow both ways: from our artists and us to our audience and from our audience to our artists and us. The more direct the communication, the deeper the relationship and the more satisfying it is for both. The team here at Cherrytree -a wonderful group of individuals with whom I have the pleasure to work every day - is very interested in receiving information from our audience about what music they want to hear and how they want to hear it. We treasure that relationship and work hard to provide exclusive entertainment and information back to our audience. Our artists’ creativity drive the content. I’m also very involved in the content creation, as is the whole team. The editorial is created and shaped by our personal “pop alternative” taste and I think you can feel that through CherrytreeRecords.com and CherrytreeRadio.com. There’s no way to concoct that feeling. It entails sleeping very little and working really hard to think of entertaining ideas, initiatives, contests, “’treeflips,” web episodes, videos, etc. But it’s what we love doing. We want to make CherrytreeRecords.com a robust entertainment and cultural experience.

NTO: Unfortunately, Michelle missed the wonderful meet up you held recently at the El Adobe. I (Tricia) attended and captured the experience on the blog. Will there be others, whether in L.A. or elsewhere? (Since Michelle’s an east coaster)

MARTIN: I hope so. I thought Cherrytree El Adobe was loads of fun and I’m thankful to our artists and our Rec’ers – our CherrytreeRecords.com community – for turning up and helping to create what was an extraordinarily special event.

NTO: What prompted you to step up and be founder of a record label? We'd love to have a bio to show your journey. It's one thing to think of something that huge, but to take the steps to do it and then have several years of success under your belt is a massive accomplishment. Kudos!

MARTIN: Well, thank you. I started as a musician and songwriter. My sister is a musician too. She and I grew up practicing, taking lessons and playing in ensembles. Writing songs and making music is when I still feel the happiest other than hanging out with my family and friends. As I was coming up, I realized that I also had a knack for interfacing with people on the music business side and on behalf of my fellow musicians (band members, writers etc.). I began to hone that ability at the same time I developed my music making skills. That led me to getting a job at a record company. That’s where I felt I could best apply both sets of skills. All of the most renown record companies were founded and run by creative individual: e.g., Barry Gordy, Herb Alpert, etc. I think that might be one of the reasons some of the best music was made around the time those individuals ran labels. Because they fostered an environment that encouraged artists to feel safe, free and push the creative envelope. I aspire to that every day even if I know I can’t come close to filling those gentlemen’s shoes.

NTO: Pardon our ignorance of the inner workings of the business. Would I, a singer or band, approach you with a CD and a letter asking you to listen to my work? Or do I have to come represented by a manager or some other professional? What is the typical way to get signed to CT?

MARTIN: Yes, you could. I’ve found that the best way to discover talented individuals is to just keep my antennae on and honed. A new artists can come from anywhere. That’s why I travel a lot and spend a lot of time researching and staying in communication with colleagues. We also check out submissions via our web site.

NTO: Our goal is to increase the band's exposure to the 25 year olds and up. We're not shy to say that we're in the 40+ group. Realizing that our demographics may not be online as much as a younger group or not be willing to register onto a fan forum, we started the blog (http://nto4tokiohotel.blogspot.com) as an easy introduction to us and the group.

MARTIN: Thank you for this support.

NTO: How did the first introduction to TH occur?

MARTIN: I caught a glimpse of their Scream video – German version – online and flipped my lid. I contacted them right away – via our friends at Universal Germany - and, luckily, convinced the group to sign to Cherrytree Records for the USA.

NTO: Were they the youngest artists you've ever worked with? Outside of general teen angst (bless you on that), are there any challenges to working with young artists?

MARTIN: I think t.A.T.u. were 16 and 17 when I signed them and I think TH must have been about the same age when I started working with them. We are very protective of our artists and their vision in general so, in that regard, their age doesn’t make a difference. The members of TH are very smart and make decisions in a very astute and measured way with the help of their management team. It’s a pleasure to work with them.

NTO: When you consider the breadth of their career (with more to come I'm sure), can you share how you feel about TH’s current and future success?

MARTIN: Tokio Hotel are really talented and true originals. As with all true originals – and these are rare – they will evolve, change and keep us interested and entertained. That bodes well for a long career and we’re pleased to have a chance to play a part in that.

NTO: Please feel free to share anything else that you'd deem appropriate for the blog.

MARTIN: I’d like to take this opportunity to thank you for your interest in - and support of - Tokio Hotel, Cherrytree Records, our artist roster, CherrytreeRecords.com and CherrytreeRadio.com. Thanks too for inviting me to do this interview.

NTO: Thank you very much.

Vegas Trek Prep Day

Michelle came out to sunny California early to hang with me and visit before we head to Vegas for a faboulous week with some of our fellow NTO for Tokio Hotel friends. 

We hopped into my big red SUV at 9am and began the almost 2 hour journey to Santa Monica.  Our first stop was Universal, home of Cherrytree Records.  We were there to drop off a thank you note.

What was the Thank You for?  Well, you'll have to come back here on Sept. 1 to see our great surprise!

Our next stop was the Santa Monica Pier.  Today was mild and sunny, with a lovely breeze.  Michelle shot some video that we hope to post at a later date.

We ate at a really tasty restaurant called Mariasol.  The chips and salsa were good, and we both ordered the crunchy tacos.  Our table was out on the patio facing the ocean. 

What a wonderful way to start our Tokio Hotel Journey.

Ramping Up For Vegas NTO Style - Part 2

September 1, there’s a surprise on the NTO blog.

What’s the significance of that date? Why it’s the twins—Bill and Tom Kaulitz—of Tokio Hotel celebrating their 21st birthday. In the meantime, the NTOs will be having fun at a little watering hole called Las Vegas. While we pack and travel, enjoy a blast from our recent past with Annette’s review of the Humanoid City tour in Padova, Italy—Part 2.

Concert
The electronic voice comes on and the curtain drops. This particular curtain must have been made of lead because I have never seen a curtain drop that fast in my entire life. Tom + George appear and then the egg starts to open. I see a HUGE cloud of smoke. Suddenly Bill emerges from the cloud of smoke. OMG, by the grace of the GOOD LORD himself, I have an unobstructed view of Bill. I can see all the way to the stage on a diagonal angle with hardly any cameras in the way. I do a mini squee dance out of insane happiness. I feel like I am super close. Something about where I am standing and the padding on the floor, to cover the tech cords, allows me to have the most amazing view of Bill in all his gloriousness. His hair seems super dark, darker than the previous day's concert. Did he dye it last night I wonder? His voice is magnetic. I hang onto every word of Noise and sing along to the lyrics at the top of my lungs. He stands at the microphone stand throwing his arms up at one side than another. He barely moves his center of gravity and then shifts his hips. I fangirl for a moment and then catch my breath. He sings a line, moves an arm, shifts hip to other side. I am BLOWN AWAY. The crowd is going nuts. They scream at the top of their lungs and shout every lyric. These Italian fans know all the words. Un-freakin-believable, how the right mixture of teenagers, 20-somethings, fanboys, parents (even pushy fandads), and NTO’s make ALL the difference. Bill is soaking in all our energy. You can see the happiness written all over his face, hear it in his voice, and see it in his movements. I, Annette am one of those people who made him this happy. This thought will FOREVER be imprinted upon my memory of this day and brings me immense amounts of joy.

Tokio Hotel goes thru the English setlist. At several points during the show Bill lets out a woot as he is running up the side steps. He actually does this three times, I counted. He moves effortlessly around the stage, working every corner of the room. He spends time on the landing of the stairs on each side singing to this section of the audience. He jams out during the interlude of each song, wildly dancing his Bill dance. Arms are flailing, legs are moving, the non-microphone holding arm resting in a fist on his thigh. I can NOT take my eyes off him. I follow him around the stage like he is an enemy mercenary soldier and my life depends on knowing his exact position at all times. When he runs off the stage to change, I look at Tom and sometimes Georg and Gustav. HELL, the other members of the band could have been BUCK NAKED and I would not have noticed because I only had eyes for Bill this night. The fans never stop singing or screaming. This spurs Michelle and I on to greatness. We scream at the top of our lungs the entire night at the end of every song. Several days after the concert and I can barely talk. That’s how long and loud we yelled. I dance along to each song and sing loudly opening my mouth as wide as possible to let every bit of air in and every bit of intensity out. I am riveted on one goal and that is absorbing every bit of Bill that I can. As the crowd sings, we gesture towards the stage every time the lyric is you, specifically in Human Connect To Human and Hey You. Bill points towards us at these you’s. He also gestures towards the ground when singing the word here during Phantomrider. BEAUTIFUL!!!

Too much at this show that was PHENOMENAL, I could talk about it forever. A few moments permanently etched in my brain are:
#1 At the beginning of the show, the 1st time Bill speaks, he asks us if we are excited to be here and we scream at the top of our lungs, the standard chat and response. Then he continues on, which shocks me a bit because normally he doesn’t talk this much at this point. He tells us that the band is sorry they can’t bring us the entire show. The top egg is missing so at first I think this is what he is referring to and I rack my brain trying to remember if he apologized at the other shows with only ½ egg. He goes on and says something about the f---ing b--ch fire department. Whaaaaaa? I turn to Tricia and say did Bill just say f---ing b--ch? She confirms that I have not completely lost my mind in some kind of Tokio Hotel fan squee meltdown and that Bill did indeed say that. He then instructs the audience to raise our middle finger to the fire department, of course we oblige this request immediately and while loudly shrieking. From this point on I know this show is going to be HISTORIC.

#2 The 1st time Bill comes down the catwalk I swear my heart stopped beating. I’m not sure how I managed to not faint from the experience and continue breathing. Some things being automatic is good. Bill is singing, can’t remember what song, and he starts walking towards me, he is getting closer and closer. As I see and feel him coming towards me, my mind and heart starts racing. It is like he is in slow motion and if I just hold my breath I can slow him down even more. I stand there like a deer in headlights, just frozen in that space of time. The closer he gets, the more beautiful he gets. Is this even possible? The answer is yes. I felt like I was clicking on the photo to begin and it kept getting bigger and bigger and bigger, yet I wasn’t clicking. MIND BLOWING. He stops at the end of the runway and looks out into the crowd. He is EXQUISITE. Being that close to that bone structure is THE experience of a lifetime. I can see every detail on his face. Those eyes, those cheekbones, the lips. GOD broke the mold when he made Bill Kaulitz. A synapse in my brain fires. Wait, can he see me? Quick Annette, smile, just in case he can, I instruct myself. I beam the brightest smile which oozes from all of my pores. The light coming from my eyes in those few seconds of time had to be the most incandescent EVER. I feel as if I could reach out and touch him. If he stretched out his long arm towards me and I stretched out my long arm, I SWEAR we would touch fingertips. Then he turns and heads back towards the stage. The view walking away is just as good. Compact butt in skintight catsuit. Nice.

#3 Dogs Unleashed goes down in history as the sexiest song ever. Whoever came up with the idea of Bill straddling the motorcycle is a GENIUS. The music starts, smoky haze and the bike comes into view. Bill is leaning over the right handlebar stretching that catsuit material within an inch of its life. It feels like he is leaning over a lot further than in any of the previous concert videos I had watched. Most likely not and it is just the amazing view I have of everything he is doing that makes me think this. He straightens himself up while jamming out to the music and the drumbeat begins. Bill slaps the seat of the bike hard, as if he were b---ch slapping somebody who just called his mamma a ho. I jump back a bit as if he just slapped me across the face. It is a little startling, but uber sexy. He totally rocks out to this song feeling every note of the music in his whole body. You can really tell that it is one of his favorites by the way he gets into it. During this song a piece of hair on the right side of Bill’s head falls down onto his face. Michelle says it happens when he took his glasses off. She must have better eyesight or memory than me because I don’t recall this. What I do know is that, until the break before Zoom this hair is persistent at not wanting to bond with the rest of its peers. Bill tries many times to put this piece back up with the rest of his hair to no avail. He sweeps his hands thru his hair on multiple occasions during the next few songs. Every time he does it, it gets sexier and sexier. I have vivid imagines of this hair sweep movement in my internal hard drive. I would like to give a SHOUT OUT to this freewheeling, independent strand of hair for standing up to what it believed in. On Padova concert day it was that it should run free like a dog unleashed. God Bless You, little piece of hair.

#4 In Your Shadow is the only time my brain registered something that was not related to Bill and this is only after Bill killed me with his uber seductiveness. I did not own this song because my newness to the fandom at the time of the release of Humanoid did not allow me to realize that I need to purchase EVERYTHING. Now my monthly budget includes a Tokio Hotel category. I digress. Bill gives his little spiel about special someones, I awwwww because I now have 3 new NTO BFF’s, and starts singing. He is sitting on the stairs with his legs bent at the knees which are almost touching. After a few lines, he moves his left knee to the side so that he is sitting spread eagle on the steps. I almost die. Where I am standing, my vantage point is of the view right between his legs. It is just too much for me to handle. Later on in the week my traveling companions and I have a very heated discussion over whether Bill’s movements are deliberate pursuits intended to induce massive fangirl squees or just a function of his gangliness. Bill’s slight body adjustments send me reeling throughout the concert, but are really noticeable during the quiet moments of Shadow. Knees touching, knees apart, legs straight out feet close together, feet apart. Big beautiful feet. GOOD GOD. After Bill moves from the stairs position and starts running around the stage, the background vocals start. The voice is beautiful, so deep and haunting. Who is this? I begrudgingly take my eyes off Bill for a few seconds to notice that this is Tom’s voice. It is gorgeous and I am in awe. Luckily, at some points in this song they are standing next to each other so I can digest the both of them at the same time. No clue why I never noticed this before, but in Padova Tom’s background singing on Shadow was EPIC.

Soooooooooo many more things I could gush over. This review of Padova could potentially reach War and Peace proportions. I will leave the concert section with two brief observations. Sweat was dripping out of Bill’s catsuit from the elbow due to the intense heat in the venue magnified by his own awesome hotness. He wiped his brow multiple times during the show. Just more swoon inducing screen caps to be played in the rewind of this show in my mind. During Zoom, my ABSOLUTE favorite song, at the beginning he sang a couple of lines with his eyes closed. Sweet, sensitive, Bill. Oh, how I love you so. Forever Now, I was right underneath the confetti, Bill and the guys were right in front of me, my hand was reaching out to grab some of the pieces (I ended up with one red and one blue piece which I pressed in a book) and the show was over. EPIC!!!!!

After Concert
We hit merchandise which was conveniently located right behind the tech center. I propped myself up against a pole and stood staring at the stage as it was dismantled. All the black boxes marked Tokio Hotel are so rock star and super cool. We grabbed some water and headed outside past the food trucks. Finally ending up right in front of the barriers blocking the side entrance to the venue where the equipment trucks were parked. After a couple of pictures, some major squee action, and a conversation about leaving vs. waiting to see the band exit, we decided to wait for a bit. It was insanely foggy outside. As the waiting crowd thinned out, we decided that even if we were lucky enough to see the band leave the venue, any 6’ 3” guys could walk past us and we wouldn’t know the difference because the thick blanket of fog prevented us from seeing 5’ in front of our face. So we walk away, past the gypsies with the non-official merchandise towards the car, through the fog just me and you.

Tom and Bill - Hope you have a fantastic birthday celebration planned.

*NTO Blog does not claim ownership of any photos.

Ramping Up For Vegas NTO Style

The twins—Bill and Tom Kaulitz—of Tokio Hotel will celebrate their 21st birthday on September 1. We’ve got a wonderful surprise for the NTO Blog on that day—mark your calendars.

In the meantime, we are celebrating in NTO style with a trip to Vegas: shopping, ATV rides, rock wall climbing, a little gambling and lots of conversation, eating, dancing, with much laughter involved.

While we get ready to descend on Las Vegas, enjoy a blast from our recent past with Annette’s review of the Humanoid City tour in Padova, Italy in March.

Pre-Show Line
The NTO Italian posse got to PalaSport about 5:30pm. We found parking and followed the other fans walking towards the venue. There was a radio booth playing karoke Tokio Hotel at the end of a long driveway filled with fans. We took a spot on the sidewalk rather than stand in the line jammed together, figuring if we held our ground we could just interface with the line once it started moving. What difference did it make if we were standing in the line or right next to the line? Tired fan logic. Tricia and I walked up to the front of the venue to see how long the line was. It wasn’t really that bad. We saw a Bill Kaulitz lookalike and took his picture. He was super tall and became a landmark of sorts later on. Once we returned to the group we just kinda hung out and sang to the karoke music until the line started moving. The line never appeared to get any longer because all the newly arriving fans would walk around it up to the front or stand on the side. This was a slight concern. We saw a ton of teenage and even younger fans, lots of fanboys, and a serious amount of parents, especially fandads.

Barriers placed on both the right and the left created a bottleneck of sorts. Once the line started moving, fans were mushed in the center from both sides. In Padova, I got to know some fans intimately. I felt like I was a blanket in one of those space bags with the air taken out, before the air is taken out. We must have stood for at least 1 hour like this being pushed and shoved from every direction, holding onto each other for dear life. Since we were in such tight quarters, I could not take off the rain poncho I had put on earlier when it started sprinkling raindrops. This ended up being a good thing. The plastic material on this poncho made me like butter on a hot grill. I was able to slide thru groups of fans quickly due to the slippery nature of my raingear. NICE!!!!! Unfortunately, this resulted in Maria losing grip on me at once point. I panicked, but Tricia had enough foresight to pull me forward so we didn’t lose 2 people. Luckily, Maria has super curly hair so we could spot her out and were able to regroup quickly once inside the venue.

Two unique observations from the line: #1 Fandads are relentless. An Olympic sport which pits teenie fans against fandads would be a close race. These men were BIG and had absolutely no problem pushing a woman aside, if it would get their little girl into the venue a bit earlier. I appreciate the lovie dadness of all of this, but chivalry men, please. We witnessed a 6’+ fandad go full force into a 5’ 9” security guy. This man slammed into security so hard it looked as if he were trying to knock him down. The security guards, about 6 of them, lock arms to form a barrier. They say "go" or something equivalent in Italian, lift their arms, and let fans underneath to the next set of interlocked guards. Once they have the proper number of people in the middle between the 2 sets of guards, we would be walked up to the zigzag entry to the venue. A unique method of crowd control. This interlocking of arms prevented this fandad from being able to bust thru security. Once I was in the zig zag line, other fandads were trying to edge me out on the sides. Tricia informed me to watch out for this, so I put my arm out to grab the barrier so nobody could get passed me.

#2 Maria and I met some lovely Italian fans. One girl spoke English very well and we started talking to them. They asked us if we came from USA to see Tokio Hotel, how long we were in Italy for, and a bunch of other questions. After we answered, the one girl would tell the non-English speaking girl what we had said. This was priceless because we got to see her facial expressions as she was hearing our story. These fans told us the USA was lucky in our Tokio Hotel fandom. Lucky?, we asked. Yes, she said because since we speak English and so do the guys, we can understand the interviews. Italians have to wait for a translation if they don’t speak English or German. This statement put a whole new perspective on the idea that the USA is unlucky because Tokio Hotel caters to Europe.

Pre-Show Inside Venue

Once we enter the venue we see that it is crowded. There is a floor area and then a balcony section with seats. The balcony is already two people deep standing and seats are filling up quickly. The barrier and catwalk are surrounded with people. Michelle, Tricia and I plant ourselves right in front of the tech center, a little to the right. We are about 10’ from the far right corner end of the catwalk. I do my best Bill spread legs photoshoot stance and use my foot to mark our spot with an X to claim it. While a member of the posse holds our ground, the others go get water, bathroom, etc. We start waiting and observing. The energy of the crowd is ELECTRIC. You can feel the anticipation in the air. The venue is smaller in scale, but it is jammed packed. A sold out show we hear. YEAH!!!! The boys are gonna be so happy. It is roasting inside. I am wearing a tissue tee and I am boiling hot. Italians are wearing sweaters and leather jackets. Whaaaa?

Fans start screaming for some Italian music duo seated in the balcony. Security hands out free water to fans at the front. We determine this is to make their job easier because no water meant somebody is surely fainting. We see a fangirl get pulled out from Tom’s side. Her eyes are rolled back in her head. It is quite distressing. Everybody takes a sip of water. At one point four 20-something Italian girls behind us come up to either Tricia or Michelle, and ask us to move over. Move over?? One of the fans is short and can’t see over us. There are empty spots in front of us, we tell them, just move there. No they say, they want us to move. WTF?? We tell them no and they start talking about us in Italian. If they wanted our spot they should have gotten to it earlier. You don’t just tell somebody I want your spot, move, and get mad if they won’t move. Hell, if that’s the way it works I should have gone up to the PRIME barrier spot between Tom and Bill and told some other fan to move. Right?

Fans chant Tokio Hotel, pre-show music starts playing. We notice there is no light rigging for the four light technicians and get nervous. We figure out that there is no way the whole egg is going to fit in the venue. There just isn’t enough room from the stage floor to the ceiling. No biggie. We bop along to WMBW Remix which Michelle and I love. Nobody is around us so we have plenty of room for girlie dancing. Fans sing along loudly and others start chanting Tokio Hotel again. Not in the middle of the remix, we groan. 99 Problems (Jayzee’s rap) comes on. People are screaming, the air is thick with intensity, and the temperature is rising now since the front doors have been closed a while. The show is about to begin.

We’ll take a breather now, so come back tomorrow for Humanoid City, Padova Review, Part 2.